I am writing this to you
drunk,
From a bathtub in Jerusalem.
This room is gold
like the city itself:
stone sitting smugly
on strata pedestals
looking down haughtily
at my scrawny form:
Scribbling ego
into scraps. scripts. dusty dreams.
Humming history
Till tongue is soaked
in movements and images of
people burying all mystery
in the same old void.
I was speaking to
the Rabbis wife tonight,
Slurring my words
and cursing myself
and only thinking about
The dead bird stuck in the Wailing Wall
Its beak jammed in there
like a personal love letter
to God,
its wings flapping like dead weights.
From here the world looks grey.
The faucet dripping behind
a backdrop of spinal chord
and emerging puddle,
The edges of our world are desiccated.
In a land that has been ravished, raped, bastardized,
I dont go hunting for boundaries
So in my mind,
let us live here
Unspoiled
syllables spilling softly
drunk with the drip.
Drip.
Drip.
of this golden tap
in this golden city.














Comments
--
painting sunlight on the side of houses since 1988
The shorter stanzas lean heavily on cliches and take away from the acute, narrative style of the poem. As much as I hate to advise a writer to make drastic cuts, i think this poem would be stronger without:
This room is gold
like the city itself
But I am Blue,
your sweet an lovely girl
(its true).
though, This room is gold/like the city itself is stronger than the rest of that stanza, and a case could be made for keeping it.
similarly, the following weakens the strong punch of the poem:
I tried to find the symbolism
but decided to dance instead.
I want to escape.
This word is so grey
But you, Jerusalem, radiate
peace.
the I tried to find... bit takes away from the part you wrote about the bird in the wailing wall. It is heavily implied just by discussing the image that you AND the reader should try to find symbolism. I think the bird image is amazing, and to have this detract from it is disappointing. The I want to escape stanza is weak simply because it tells, rather than showing, which is what the rest of your poem does so well.
Your last stanza has some great images that you play with. I dislike that it opens with a point-blank statement, and I think it would be great if you instead skipped stating the fact that boundaries exist and said "I don't go hunting for boundaries" Also, let us live here forever borders on cliche, so I think you could tweak it by saying "let us live here unspoiled." The term "soul sex," is odd, and perhaps needs a hyphen, though honestly i personally don't like it. I think the poem's honest, realist nature calls for something more open like "imaginary sex" or "mental sex", rather than an abstraction.
This part I love dearly:
syllables spilling softly
Drunk
With the drip. Drip. Drip.
of this golden bathtub
in this golden city.
you might want to lowercase "drunk" and "with," and perhaps enjambing it differently so that drunk isn't on its own line, though that's very much personal taste (the opening line states that you are drunk so i don't see how drunk needs a line all its own at the end).
I'm in love with this poem, though, and I hope you will take this critique in love
--
< GunShyMartyr > PinkyMcCoversong: o hi asl plz
< PinkyMcCoversong > GunShyMartyr: ask again in a cockney accent
< GunShyMartyr > ELLO daaaahling, what's yah name then. giveus a kiss would ya love? yer eighteen roite?
Once again, thank you so much
--
"The charging restless mute unvoiced road keening in a seizure of tarpaulin power."
-jack kerouac
--
< GunShyMartyr > PinkyMcCoversong: o hi asl plz
< PinkyMcCoversong > GunShyMartyr: ask again in a cockney accent
< GunShyMartyr > ELLO daaaahling, what's yah name then. giveus a kiss would ya love? yer eighteen roite?
--
painting sunlight on the side of houses since 1988
--
"The charging restless mute unvoiced road keening in a seizure of tarpaulin power."
-jack kerouac
--
painting sunlight on the side of houses since 1988
syllables spilling softly
drunk with the drip"
wow ... so full of passion and despair ... beautifully written.
--
Let the beauty of what you love be what you do. There are a thousand ways to kneel and kiss the earth. (Rumi)
powerfull imagry! especially w/ the bird and golden city.
and i loved the line into scraps. scripts. dusty dreams it just sounds cool.
--
"It's no longer a question of staying healthy. It's a question of finding a sickness you like." -Jackie Mason
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